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    Archive for the ‘sound’ Category

    My Flight into Music

    Tuesday, March 2nd, 2010

    ‘Flight’ is a music-track I composed, arranged, mixed and produced in 2007. The music emerged towards the end of an intense three years of active meditations. ‘Flight’ is authored using 100% Free and OpenSource Software (FOSS). More specifically, used a Linux-based OS, called UbuntuStudio.

    Excerpts from ‘Flight’ were later used as background music for a short-film published from Los Angeles. Was even more thrilled when I also got paid for it. :-)

    You are encouraged to download, share, mix, re-mix, and have fun with ‘Flight’ for commercial or non-commercial purposes, provided you respect its copyright and creative-commons license, which is cc-by-sa-2.5 india. Here is a simple-to-understand version of this specific CreativeCommons license.

    Taking Flight
    In 2007, Was also invited to conduct a small workshop on ‘Digital Sound’ at a leading national FOSS event, called freed.in. You may view a blurry picture of UbuntuStudio with a sound software. Then in 2008, was invited to another National FOSS event, called FOSSMEET at NITC in Calicut, where I delivered a talk “How to design sound, compose music, and master your album.” Ended the talk with ‘Flight’ which received a huge ovation, and hours after the talk the participants lingered around and discussed all things from music to FOSS. That was quite an experience. You may view a photo of the audio, sound, and music talk at fossmeet here. Finally, on 28 March 2010, I released ‘Flight’ at the CreativeCommons Salon event held in Delhi. Discover more about this event on twitter using the id ‘ccsdel’.
    Flight into Jamendo
    ‘Flight’ is published on Jamendo.org, a wonderful website for musicians and music-lovers who wish to share muft and mukt music. This is my first album published here. Within a few days will also publish another album of dance-music composed more recently. Discover my artist page at Niyam on Jamendo where I intend to publish even more tracks and albums over the coming months. You may also soon find me dabbling at ccmixter.org.
    Soaring with Freedom
    All the sounds you hear have been designed in a software-synth with quite a tongue-twister of a name: ZynAddSubFX. This software-synth was plugged into a software that handles virtually unlimited multi-track recording. Called ardour, it is more specifically, a Digital Audio Workstation (DAW). Even more interesting is how almost all the sound-based software plug into one another under UbuntuStudio. Mimicking the coils of cables, plugs, and connectors found in a real-world sound-studio, is a software sound-patch, called Jack Audio Connection Kit. A lot of sound-effects and the pre and post-processing of sound were handled using myriad sound-FX plug-ins, from LADSPA. You may find thousands of free sound-effects from LADSPA. The final and minor tweaks and exports were handled in the audio-editing software Audacity.

    Surprisingly enough, did not use any of my other favourite free software for this project, especially Hydrogen: The Advanced Drum-Machine for Linux, as well as the music-sequencing software RoseGarden.

    Earlier Sounds
    In October 2006, also published an entire album of sound-field recordings made in the middle of the night and at dawn, in remote mountains while living in a stone-cottage next to a stream. Thousands of people have downloaded the audio-files from this album, a few have re-mixed these in their works, and some I know held a group-meditation based around the album. You may discover the sound-field recordings at Niyam on freesound.org. Plus, discover some drum-loops published around the same time creativedot though the site seems to go down every once in a while.

    Stay tuned for more sound and music, especially since I love authoring in diverse genres.

    Is An Audiophile A Meditator Of Sound?

    Friday, April 17th, 2009

    Have just been reading this article with great interest:
    Why We Need Audiophiles”,
    Fremer seems to have honed his ability to listen to music and sound over his lifetime. No wonder he can easily experience the dull, flatness and soul-sapping sound of MP3 music and even compact-discs. Please read the article to appreciate this.
    If you’re into Indian music, you can try a simpler experiment, that costs zero in any currrency.
    First, listen to a live amplification of a tabla, or a rudra veena. Then go close and listen to it unplugged, without any mics or equipment. The difference is astounding. I’ve often challenged my students to try and create a faithful recording of a didjiridoo, and so far, no one seems to have caught it at its original analog quality.

    But I digress. The audiophile may be addicted to the purity of sound, and driven to extreme fetish to acquire the right gear to hear the perfect sound, but the audiophile is still obsessed with sound.
    This is where eastern mysticism steps in. Try silence. Have you ever got addicted to deep, blissful, unperturbed fathomless silence? Can you imagine how nourishing that must be for your ears, for your mind, for your soul?
    The journey from an audiophile to a silent meditator is rather mysterious. The first thing you realize, is that physical silence is not possible in the physical world. With great fortitude when you do manage to almost cancel all external sounds, the sounds from within your body are louder than the noisiest traffic outside. The gnashing of your teeth, the breathing of your body, the beating of your heart-beat: you never realize how noisy it is to inhabit the human body!
    This is where the mind is called in to contribute with what it can do best. You soon learn to teach your mind to attenuate all noise and sound outside and inside. This fascinating noise-cancellation ability of the mind allows you to drop into silence. Momentarily at first. It’s like suddenly diving several hundred kilometres deep into a pitch-black and extremely cold and refreshing ocean. You see nothing, you hear nothing, you feel nothing, but it’s all around you.
    Then you come back. Exploding into an explosion of sound and noise of the universe.
    Want to be an audiophile for free? Just meditate. Heck! You might even forget sound.

    [ends]

    Moving From Noise to Sound

    Friday, April 10th, 2009

    Most of the recent advances in the technologies of sound, are a step-back, or can be largely classified into those that reduce high-fidelity; those that add noise and distortion; or else a mixture of both. The fundamental principles of sound still remain unexplored, pointing to several grand areas of research and development, as well as significant opportunities, through the 21st century.

    Am delivering a talk titled “Moving From Noise to a Fundamental Understanding of Sound in the 21st Century.” This, at RAFIT 2009, which stands for ‘Recent Advances and Future trends in IT’. RAFIT 2009 is being held at Punjabi University, in the vibrant city of Patiala in the north-Indian state of Punjab. My talk takes a fresh and inspirational look at several possibilities in a new approach to sound, and the bold approach to research required, that may unlock the richness and complexity of sound.

    Am going to share new or alternative ideas in:

    1. The Physics of Sound. Comparison to the Phenomenon of Light.
    2. Psycho-Acoustics.
    3. Loudness. Internal Versus External. Loudness Curves.
    4. Clarity versus Distortion.
    5. Coding Semantics in Sound Signals: Traffic Horns.
    6. Decoding Sound into Semantics and Meaning.
    7. Voice and Speech Recognition: Two Different Things.
    8. Localization of Sound. Binaural mysteries.
    9. The Emerging Role of DSPs.
    10.Machine-Recognition: Humour, sarcasm, moods, and figures of speech.

    In addition, am also delivering the key-note presentation at this prestigious event.
    Discover more here: RAFIT 2009.

    [ends]

    Are Words Empty Vessels of Sound?

    Saturday, November 1st, 2008

    A zen brush-stroke defines an empty bowl. Using typography, I carefully placed the following words near it: “words: nothing but empty vessels of sound.” You may check the calligraphy and design here: writing.
    words: nothing but empty vessels of sound

    I must have authored the original design somewhere in 2001. A few hours ago today, in 2008, I received the following email from a complete stranger called Ian. I immediately wrote back to him, and sought his permission to share this email with you. Says Ian:

    “Words cannot be empty vessels of sound. Words work fine in written form, yet no sound is heard. Words are not the vessels for sound - Sounds are the vessels of words. Words have an idea behind them. They represent realities that we grasp in our minds as ideas. God made a physical universe that has true reality because He is REALITY and was able to communicate reality to His creation. Reality is lent by Him. He made this creation by WORDS. He communicated the reality by speaking (in infinite power) it into existance. Its reality existed first with Him, and He communicated it with “let there be..”. He gave the gift of words and language to man. We cannot “speak-create”, but we can transmit the ideas behind things by sending and receiving words.”

    Hmmm. Here’s a question, Ian, though it’s a little more like a zen-koan: Can the deaf, especially those born with total-hearing impairment, learn to read and write? The answer is a surprising yes. Discover more here: Raising Deaf Kids. You may find something even more fascinating here: Deaf People’s Inner Voice.

    The essential point, is that even the deaf create an ‘inner auditory’ sense equivalent, or maybe equal, to what we experience as sound. You may search the web for more case-studies and research into how the deaf learn to read and write, and often so eloquently and with much better grammar and style.

    Magic Moment: The word, then, is indeed a sound. Words to me, are vessels of sound. When you learn to read a word, you learn to say it loud to yourself. Soon, the subtle and magic moment arrives when your parent or teacher recommends you read the word ’silently’ to yourself. The sound then becomes internal. As humans, we impart thought, and soon, abstract thought, to words. For example, the word ‘apple’ makes you think of the tangible fruit. The word ‘innovation’ is a pure and abstract thought. Beyond thought, as humans we impart emotions and moods, and even cultural and other connotations to the words we use. Nevertheless, each word has first to be a sound heard in the mind.

    Empty Vessels: Students and participants to my various workshops have almost always asked me why I describe words as “empty vessels”, especially when I earn a part of my livelihood and name as a professional author and editor. I leave that for you to ponder over, but I do hope you find inspiration in the sufi poetry and lyrics sung in this exotic music video. I especially love the sequence with the sufi-whirling:

    And inside,
    We’re all still wet.
    Longing and yearning.

    How can I explain how I feel?



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