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Posts Tagged ‘india’

My Flight into Music

Tuesday, March 2nd, 2010

‘Flight’ is a music-track I composed, arranged, mixed and produced in 2007. The music emerged towards the end of an intense three years of active meditations. ‘Flight’ is authored using 100% Free and OpenSource Software (FOSS). More specifically, used a Linux-based OS, called UbuntuStudio.

Excerpts from ‘Flight’ were later used as background music for a short-film published from Los Angeles. Was even more thrilled when I also got paid for it. :-)

You are encouraged to download, share, mix, re-mix, and have fun with ‘Flight’ for commercial or non-commercial purposes, provided you respect its copyright and creative-commons license, which is cc-by-sa-2.5 india. Here is a simple-to-understand version of this specific CreativeCommons license.

Taking Flight
In 2007, Was also invited to conduct a small workshop on ‘Digital Sound’ at a leading national FOSS event, called freed.in. You may view a blurry picture of UbuntuStudio with a sound software. Then in 2008, was invited to another National FOSS event, called FOSSMEET at NITC in Calicut, where I delivered a talk “How to design sound, compose music, and master your album.” Ended the talk with ‘Flight’ which received a huge ovation, and hours after the talk the participants lingered around and discussed all things from music to FOSS. That was quite an experience. You may view a photo of the audio, sound, and music talk at fossmeet here. Finally, on 28 March 2010, I released ‘Flight’ at the CreativeCommons Salon event held in Delhi. Discover more about this event on twitter using the id ‘ccsdel’.
Flight into Jamendo
‘Flight’ is published on Jamendo.org, a wonderful website for musicians and music-lovers who wish to share muft and mukt music. This is my first album published here. Within a few days will also publish another album of dance-music composed more recently. Discover my artist page at Niyam on Jamendo where I intend to publish even more tracks and albums over the coming months. You may also soon find me dabbling at ccmixter.org.
Soaring with Freedom
All the sounds you hear have been designed in a software-synth with quite a tongue-twister of a name: ZynAddSubFX. This software-synth was plugged into a software that handles virtually unlimited multi-track recording. Called ardour, it is more specifically, a Digital Audio Workstation (DAW). Even more interesting is how almost all the sound-based software plug into one another under UbuntuStudio. Mimicking the coils of cables, plugs, and connectors found in a real-world sound-studio, is a software sound-patch, called Jack Audio Connection Kit. A lot of sound-effects and the pre and post-processing of sound were handled using myriad sound-FX plug-ins, from LADSPA. You may find thousands of free sound-effects from LADSPA. The final and minor tweaks and exports were handled in the audio-editing software Audacity.

Surprisingly enough, did not use any of my other favourite free software for this project, especially Hydrogen: The Advanced Drum-Machine for Linux, as well as the music-sequencing software RoseGarden.

Earlier Sounds
In October 2006, also published an entire album of sound-field recordings made in the middle of the night and at dawn, in remote mountains while living in a stone-cottage next to a stream. Thousands of people have downloaded the audio-files from this album, a few have re-mixed these in their works, and some I know held a group-meditation based around the album. You may discover the sound-field recordings at Niyam on freesound.org. Plus, discover some drum-loops published around the same time creativedot though the site seems to go down every once in a while.

Stay tuned for more sound and music, especially since I love authoring in diverse genres.

Speaker-fee for Academia

Thursday, August 6th, 2009

Effective from 10 August 2009, please note my new conditions for delivering talks, and conducting seminars and workshops for academia:

  1. Speaker-fee: Rs 5,000 for each talk between 45 to 90 minutes.
  2. Speaker-fee for beyond the NCR (National Capital Region): Rs 10,000 per working-day, for upto 180 minutes of talks. Each subsequent talk or time-slot of 45 to 90 minutes, at Rs 5,000.
  3. Please also kindly pay for the commute-expenses, on a per KM basis, as well as for toll taxes if any, within the NCR. I tend to drive down in my own car, as I might be coming in, or going directly to, a client’s project-site.
  4. For outstation: If I choose to drive down, kindly pay the commute and toll expenses incurred, and kindly provide me with clean, comfortable, and airconditioned accommodations on a non-shared basis. I prefer staying on-campus. Some of the places I’ve stayed at have outstanding facilities, but a few other places have rather disappointed me, making me wish my hosts had rather checked me into a hotel. So please discuss this in detail before finalizing a program.
  5. Silent, peaceful environs are rather important for me, as I tend to meditate in my room. Nights especially have to be quiet, peaceful and undisturbed. Please.
  6. A room with dampness on the walls and/or with strong and stale odours must be avoided.
  7. For travel to longer distances (India is a sub-continent!) I only prefer air-travel. My airlines of choice are Jet Airways, and Kingfisher. For destinations where neither fly, please discuss options before-hand.
  8. Do contact me at least 45 to 60 days in advance as my schedules are usually quite booked.
  9. Once in a while, the teaching-bug really bites me, and I end up working as a visiting faculty in a college or institution, while still continuing with my other professional projects. Should you wish me to work as a visiting faculty, the above rates may not be applicable.
  10. Finally, the most precious aspect of my life is my family, and given my schedules and travel, when possible, I tend to take them along.

The above rates are for academia only. Professional training projects and workshops for non-academia and corporate clients, are usually billed at between Rs 1,25,000 to Rs 3,50,000, with some going up to Rs 5,50,000. All other expenses and applicable taxes extra. The nature and scope of such professional workshops are significantly different from the work I do for academia.

I’ve spent 11 years so far, working and interacting with academia in India whenever I can. This has always implied my taking time out of my professional tasks, devoting my free and spare time, and even keeping myself away from my family as well as from my personal pursuits.

Why? I love to teach and to share, and to inspire young minds and hearts with new ideas, new insights, and new opportunities. I spend hours every day researching deeply, learning about new things in my various professional and personal disciples, and love to share these with those keen to learn.

The number of invitations I receive keeps going up, semester-after-semester. This delights me. However, my increased professional commitments, which have also become more demanding and challenging, no longer allow me that luxury of time and energy. I often have to carve time out of my professional schedules, and catch up with deadlines by working harder and at odd times through late in the night.

Should I just hang up my kohlapuris, and call it a day? Should I just draw comfort from some of the more fruitful interactions I’ve had over these 11 unbroken years? I don’t think I’m done yet, but I do need to be more focussed and careful in agreeing to invitations. Especially when I’ve startled myself to discover that the token honorarium-fee offered me is often woefully inadequate, or the travel and/or accommodation rather unsuitable.

Some of you may have seen me through the years make an open promise on-stage to come and interact with any college that invites me, provided our schedules match. Look up my flickr account  to see how I’ve delivered on this promise, even though I only started photo-blogging since 2007. According to my estimates, I have surpassed my initial objective of touching the lives and minds of 10,000 students and participants across India. Going forward, some of you from academia may find these speaker-fees rather steep and impossible to accept. My experience, however, indicates the education-sector in India can easily find funds and sponsors for any worthy initiative.

[ends]

Kiss Your TV Goodbye.

Friday, October 24th, 2008

GISS.tv will transform India’s tv broadcasting and media. Forever.

Sarai is the perfect place for a kiss. Behind all the non-stop chatter and noise of television stations, I experienced a quiet revolution on a lazy, saturday afternoon in an almost-empty seminar room in Delhi’s leafy north campus. A revolution, that will eventually impact more than 500 million TV viewers in India, and reach out to the global population of the world far-ahead of conventional twentieth-century television. A revolution that will kiss your TV goodbye. Click on the photos below to discover more from the captions.

[flickr album=72157608313338533 num=5 size=Thumbnail]

The Hidden Dragon

The soft-spoken and unassuming Yves Degoyon, dressed in an old tee-shirt, bleary-eyed from his travels in India, commanded the stage. He walked the dozen participants in the room through his impressive giss.tv project. For ordinary mortals, giss.tv allows anyone, anywhere, armed with nothing more than a commodity laptop, to broadcast live video on their own internet-tv channel, and reach a global audience instantly. All for free, as in both free-of-cost, and more importantly, with freedom. Similarly, giss.tv also allows anyone anywhere to launch their own audio broadcasts instantly for the world.

The live broadcast is streamed into the web-browser of any viewer who tunes in, and does not require any proprietary plug-in like Adobe’s Flash, to run. The underlying technology is Java, which means it can run on any browser, on any device, smartphones, and who knows, you may soon have special devices that could tune-in as well.

This changes everything. In the spirit of freedom, all the software required to author, produce, capture live video and audio, and broadcast are also free and with-freedom, i.e. muft and mukt. Indeed, the impressive suite of software mimics everything that you may expect from professional tv production suites.

You can ticker-tape text at the bottom or anywhere on the screen, at any angle and direction. You can also record your final broadcasts concurrently to hard-disk for archives and for re-purposing. It can mix live video-broadcasts with pre-recorded segments. This is ideal for, say, a live TV news program that has to show video-footage on-cue. It can take multiple video-streams, fade and mix from one to the other, quite suitable for stringing in stories from correspondents or live-video from any geographical location. Yves does recommend it is easier to use a hardware video-mixer to spare current laptops and software the burden of processing, but still, it is a proof-of-concept that will soon become mainstream.

The Bliss of GISS
There are a few things that giss.tv can do, which I have not yet seen on any platform. For instance, unlike youtube or other video-sites, it works with live video, and uses absolutely no proprietary software or plug-in. That means, as stated earlier, everything is muft and mukt. GISS.tv also gives you, the author, complete copyright and ownership of your video, and encourages you to publish and broadcast using a copyleft or a creativecommons license. The server-space and all services are provided free. You can also design your own tv station and channel on the web-browser, and let viewers log-in and subscribe to your video-broadcasts. Unlike TV, giss.tv is also more interactive. Viewers can comment, blog, discuss, and interact, as they watch the video.You can also track viewers, and as each viewer tunes-in, you can lookup his or her location on a map, and the software and platform details of their machines.

Static Noise

What GISS.tv lacks currently, is a slick user-interface design and a bling-bling website. Indeed, it suffers from the looks of a typical, grown-at-home geeky project. Yves works almost effortlessly with his tools, but even the best nerds would quail at the sight of those intimidating software and tools that fill the screen. What the project needs acutely at this moment, is a complete re-do of their user-interface design, and a much more streamlined learning curve.

Nevertheless, I am so impressed with this project, that I have just authored an article in my FreedomYug column for the November 2008 of LinuxForYou magazine. Will publish a hyperlink to it once it gets published. [Update]: Here is the link: My TV Station.

Whether giss.tv eventually becomes successful, or whether it paves the way for a grander and significant paradigm-shift remains to be seen. No one can deny the time has come for twentieth-century broadcast-television, and especially the low-standards of news and tv-journalism we’re currently dished out, to be revamped. On this count, Yves hits the nail on the head. Read his raison d’etre for launching this project, his motivations for giss.tv.

To say it more simply: I am too sexy for TV.

So don’t talk, just giss….



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